Imran Qureshi’s Between Sacred Cities is the largest installation at the Islamic Arts Biennale 2025
Artist Imran Qureshi has unveiled Between Sacred Cities at the Islamic Arts Biennale 2025 in Saudi Arabia’s Jeddah. His is the largest installation present at the second edition of the event.
Between Sacred Cities is situated between the iconic Makkah and Madina pavilions. The installation reimagines a historic route that once stretched from Kufa in Iraq to Makkah. Designed to aid pilgrims on their Hajj journey, the route served as a network of resting stations and water sources, inspiring Qureshi’s interpretation of an oasis as a sanctuary of rest, reflection,?and?unity.
According to a press release, the installation spans a vast, sand-covered transitional space between the two pavilions, with the concept of an oasis being transformed into an interactive and contemplative garden-like structure. Central to the installation is an octagonal design — a symbol of harmony and completeness.
Drawing on the spiritual essence of the journey between Makkah and Madina, the installation incorporates the holy water of Zamzam and lush greenery reminiscent of Madina’s tranquillity. Visitors are invited to pause, reflect, and connect with these profound symbols of spirituality.
At the heart of Qureshi’s installation is the traditional Char Bagh Garden design, a hallmark of Islamic art characterised by its quadrilateral layout and central water channels. Vibrant woven strips symbolise flowing water, while the surrounding greenery evokes serenity and life. Zig-zagging paths intertwine these elements, creating a dynamic yet meditative experience that underscores themes of balance, diversity, and connection. The interplay of water and greenery not only reflects the physical oasis but also serves as a metaphor for the spiritual journey.
Between Sacred Cities highlights the enduring relevance of traditional crafts in the modern era. The woven components pay homage to artisanal craftsmanship, celebrating its cultural significance while underscoring the urgency of preserving these time-honoured techniques in an age of technological dominance. Through this installation, Qureshi bridges the past and present, showcasing the richness of Islamic heritage while addressing contemporary cultural dialogues.
Commissioned by the Diriyah Biennale Foundation, the installation is curated by artist Muhannad Shono, with associate curator Joanna Chevallier. Together, they bring to life Qureshi’s vision of a monumental artistic statement that bridges historical roots with contemporary narratives. Between Sacred Cities will be on display from January 25 to May 25.
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